Meet Sally
Sally Hastings is a pop artist originally from Melbourne, Australia. In 2023 she left behind a 20 year career in advertising to paint full time in her home studio in Buxton, regional Victoria. As a self-taught painter, her work explores themes of nostalgia, pop culture and kitsch Australiana. She works in acrylic paints and draws her audience in with bright, pop-y, sugar-y, graphic compositions. Sally has exhibited at many local Melbourne galleries as well as some group shows in the United States. Her pop surrealist artworks have already been collected all over the world – mostly in the United States and UK – but also one very special collection in Denmark. <3
exhibiton history
Solo
2024 / Yee-Haw / Revolver Upstairs
2024 / Gummy / Sonics Gallery
Group
2023 / Fifty Squared Art Prize / Brunswick Street Gallery / Melbourne
2024 / Small Works Art Prize / Brunswick Street Gallery / Melbourne
2024 / Feel Good Art Prize / Quadrant Gallery / Melbourne
2024 / Fifty Squared Art Prize / Brunswick Street Gallery / Melbourne
2024 / Unbound / Gallery Unbound / Melbourne
2025 / Small Works Art Prize / Brunswick Street Gallery / Melbourne
2026 / Antipodes / Beinart Gallery / Melbourne
2026 / Locals / Outre Gallery / Melbourne
2026 / Heavy PETting / Brassworks Gallery / Portland OR
2026 / Heaters / Thinkspace Projects / LA
2026 / Meliorism / Thinkspace Projects x Harman Projects / NYC
2026 / Prehistoric / Roq La Rue / Seattle WA
2026 / Conjuncture / Brassworks Gallery / Portland OR
2026 / Small Mercies / Thinkspace Projects x Antler PDX / Portland OR
Artist statement
Every time I sit down to create, I want my art to be the antidote to that age-old-question ‘When did life get so serious?’. My almost-20-year career working in advertising has left me both deeply jaded and deeply ingrained in consumerism. My art pokes fun at that consumerism but also celebrates it in equal measure. Some of my fondest memories as a child were trips to the milk bar to buy lollies. Iconic sweets like Killer Python, Bubble O Bill and gummy Dinosaurs have now become characters in my own story – through my art I bring them out of my inner world and into a new context. I want to conjure feelings of nostalgia through my practice and pay homage to the unique Australian landscape, iconography and collective memory. By taking these icons out of their known context, it creates new stories from old ones. This absurdist humour has brought a lightness to my otherwise heavy world. I aim to play with the tension that ‘doing it for a laugh’ is a meaningless pursuit with little depth. Through my art practice I argue the opposite – a laugh has never been more important – both in the world and in my studio.